Saturday, March 28, 2020

Resilience


As we are all in the throes of the first pandemic of most of our lifetimes, what I am most moved by is the response from the good people of the world: those who have paid attention to the scientific experts and are doing their utmost to keep us safe and sane in a time of quarantine and isolation.  Not just the heroic people in the medical field, fighting the disease firsthand, but those on the front lines of society’s essential machinery: those who risk their lives to make sure food and supplies are delivered.  And, even more astonishing, my fellow artists who are sharing work in new (and often free) ways to fill our lives with much-needed diversions and delights, with messages of hope, with laughter, with music, with song.


Thanks to the internet, art is flooding our world in manifold ways.  Opera houses are sharing recordings of their works, writers are releasing free copies of their books, museums are offering free virtual tours, performers are doing free virtual concerts—many of these linked to fundraisers to help various groups affected by layoffs, closures, and so on.  There are so many people finding ways to help each other connect and find a little solace in this dark time.  Clearly, the virus cannot touch our creativity, our resilience, our ability to touch one another—even in times of isolation.

Perhaps that is the purpose and power of art: to remind us how interconnected and interdependent we truly are.

Stay strong.  Stay safe.


My two films are free on Amazon Prime:
GARDEN PARTY MASSACRE  (Horror/Comedy)
https://www.amazon.com/dp/B07KLQRNFV
DEADLY REVISIONS  (Mystery/Horror)
https://www.amazon.com/dp/B016DJB226/

Wednesday, February 12, 2020

Oscar Winner


I'm not writing anything this time. Joaquin Phoenix has said all that needs to be said in his Oscar acceptance speech. Emphasis on "acceptance".

Tuesday, January 14, 2020

2019 Movies To Cheer

Awards season is here.  There were many memorable films full of incredible talent on both sides of the camera.  Some got Oscar nods, some didn't--but that doesn't change the quality of the work.

I haven't seen all the 2019 films that have been lauded, but a few of the standouts for me were as follows: 


JOJO RABBIT: A surreal, utterly original tale--expertly told; as wickedly funny as is it sobering and thoughtful. It’s everything a movie should be. ⭐️⭐️⭐️⭐️⭐️

BOMBSHELL: This hip and thrilling expose of the women behind the takedown of Fox News’ Roger Ailes is a masterpiece of filmmaking: the acting, writing, directing, editing, costumes, makeup—every element calibrated to perfection. ⭐️⭐️⭐️⭐️⭐️

PARASITE: A stunning piece of cinema in many ways, what begins as a delicious tale of bad manners loses credibility with each plot twist and jarring shift in tone before coming to its splashy climax and preposterous denouement. Still, it’s a fresh, engaging journey. ⭐️⭐️⭐️⭐️1/2

JOKER: A dark meditation on society’s failure to care for the mentally ill, boosted by spectacular cinematography and Joaquin Phoenix’s superb performance. Overlong and borrowing too much from “The King of Comedy”, it still packs a powerful punch. ⭐️⭐️⭐️⭐️

ROCKETMAN: "Rocketman" proves that a biopic can be as imaginative as anything else out there. Excellent writing, directing, cinematography and acting offer surprises and delights as we float along with Taron Egon singing his way through Elton John's life.  The jukebox musical has finally grown up...and it's glorious. 
⭐️⭐️⭐️⭐️1/2

AVENGERS: ENDGAME: Too many recent films run over two hours and can't support their runtime, but this final chapter of the series is an exception.  It's a crowd-pleasing, eye-popping piece of old fashioned fun with all the bells and whistles.
⭐️⭐️⭐️⭐️1/2

Saturday, December 21, 2019

Wrapping It Up


I normally take this time to say something about being kind, being a better person...or aiming to do that in the new year.  


I did that last year...

http://gregoryblair.blogspot.com/2018/12/new-year-new-habits-new-you_22.html


and the year before...

http://gregoryblair.blogspot.com/2017/11/this-year-its-personal.html


and the year before...

http://gregoryblair.blogspot.com/2016/11/greater-gifts.html


If you haven't figured out what's really important in life, go check those posts out.

After you've done that, if you still find yourself in need of more of me (and there really should be a cream for that), I'm simply going to direct you to my year-end wrap up on my website, so you can see  what you missed out hearing about this past year.

You can find that here: 

http://www.2writers.com/Gregory_2019Review.htm

Other than that, let me simply wish you a very happy holiday season and all the best for the coming year.

Thank you for being here.

~Gregory

Monday, November 11, 2019

The Soul of Wit


Brevity. 

Not a new conceit.  But one I think current filmmakers are forgetting, under the misconception that length equals import: an idea that has found its way into the horror genre with a horrible result.

I posted about this on social media and the response was voluminous and almost unanimous: people don’t like long movies when the story does not support the run-time.  There are many films that bear rich, dynamic tapestries of story that fill more than two hours: historical epics and musicals are two genres that often do so.  Some of my favorite films do. But they are the exceptions to the rule. Most films do not; horror, for my taste, particularly suffers from a longer run-time.  I began to wonder why that was and, more to the current trend, why some filmmakers don’t seem to care.


I think to some degree, horror films don’t require as much story: they are often about a single situation, set in a single time with a small group of characters.  We don’t need to know much (if anything) about a character’s past, if—as is often the case—it bears no importance to the story. Furthermore, the tension wanes if a film spends too long on a scene that isn’t riddled with terror, mystery or at least some sense of unease. Most longer films have too much time go by where we’re not scared or intrigued; they become horror films trapped in drawn-out dramas.

This seems to be true for what has become labeled as “elevated horror”—perhaps the most offensive term to come along in a while. Elevated from what?  The term is instantly elitist.  What makes these films so lofty?  Because they are “about something”?  Horror films have been “about something” for forever: mindless conformity (1956’s “Invasion of the Body Snatchers”), selling your (baby’s) soul for fame (1968’s “Rosemary’s Baby”), feminism vs. toxic masculinity (1975’s “The Stepford Wives”), homophobia (1985’s “A Nightmare On Elm Street 2”) and so on.  Is it because they display exceptional cinematic craft?  So did 1922’s “Nosferatu”, 1960’s “Psycho”, 1977’s “Suspiria” and so on.  I find the term and the mindset for its need insulting.

And, yet, here we are: having pretentious horror films over two hours being foisted on us poor plebeians because we are so clearly in desperate need of edjumacation and “Art” with a capital “A”.  Puh-lease! Good horror is like good sex: the filmmaker gets in, makes passionate love to us, and then leaves us breathless. These “elevated”, over-long films are just so much masturbation, leaving us cold on the couch and wondering what’s in the fridge.

Make horror sexy again.  Make it short and sweet.

And scare the crap out of us.


Wednesday, October 23, 2019

Change Is Good


Life is change.  Or adaptation. Or evolution.

Living things, by the very nature of their existence, must continually be in motion, on some level.  Physically, spiritually, emotionally.  We all are ever changing. It is a thing to embrace, for without it, we are nothing.  Certainly not alive.


My evolution as an artist has brought me to embrace something new.  Or new to me, I should say.  It’s not new.  And the idea is centuries old.


It’s Patreon—the web platform that allows artists to gather patrons to help them achieve their artistic goals.  Basically, anyone can participate, exchanging a monthly pledge for creative content from an artist they want to support.  

 
It’s that simple.

 
That beautiful.
 

And you can be a part of that beautiful thing with me.  My Patreon page is: https://www.patreon.com/gregoryblair



Check it out.  I explain more.

And I’m funny.


But you knew that! 


So, let’s work together.  For your support, I will provide exclusive content no one can get anywhere else.  Videos I make only for my beloved patrons.

You know you don’t want to miss that!


So, what are you waiting for?


Join me today at: https://www.patreon.com/gregoryblair


Change is good!



Sunday, September 29, 2019

And The Winner Is…Us



Awards.  They’re ubiquitous.  Especially in the entertainment industry.  And while it may all seem at times like a clown car of self-congratulatory “I’m the King of the World” nonsense, I think there’s a greater purpose…a better way to understand why these things matter.

Simply put, film and television are collaborative arts.  An actor’s performance is the result of more than just their own efforts: it’s shaped by the direction, lighting, editing, the other actors and more.  So, too, are all the other disciplines interdependent, working together into a tapestry.  Thus, any award for one is always an award for many.  In that sense, every award is a shared win.

And sharing is really what the entertainment world is all about:  sharing stories, sharing experiences, sharing slices of humanity to inform, reform or affirm who we are, where we’ve been and where we may one day go. 

I think it appropriate, then, to honor our best achievements in that goal; awards, titles and ceremonies help us to do that.  And, just as the honorees share their awards with their collaborators, so do we all share in the experiences that entertainment provides.  Thus, we are all winners and we all share in the glorious spoils.

And isn’t that a wonderful thing to share, after all?

Tuesday, September 3, 2019

Sharing What You’ve Learned



One of the things I enjoy about having some knowledge and experience is not simply using it for my own projects, but sharing it with others to help them make their projects better. That’s why I love to do interviews and panels: if something I say helps one person, I know I’ve made a small difference in the world.

That’s how I view my role as a screenwriting consultant. I’m not acting as a judge or a critic; I’m acting more as a coach or a partner, providing ideas and/or skills to help you improve your game…and your script. Each writer has their own unique and specific strengths and weaknesses and it’s my job—and my pleasure—to help you recognize them and find ways to improve the latter.

I’ve worked with novice writers, helping them to learn the basics of good script writing as well as seasoned craftsmen who need less basic storytelling lessons, but may have more refined needs or simply need fresh eyes, stronger proofreading skills, etc. The biggest joy is finding the writing of returning clients blossom and get better and better.

I find it incredibly gratifying to help people in this way. Some people teach their children. I teach anyone at any age. As long as you have the desire to improve, to make your story the best it can be before sharing it with the world, I’d love to help you do it.

Find out more at: Gregory's Writing Consulting Page

Wednesday, July 3, 2019

It’s a Dirty job…And I love It!


Black gunk oozes from my lips as I grab the policeman’s head and he shrivels and falls to the ground, dead.

“CUT!”

Just another day on set.  This time in Buffalo, New York for Adam Steigert’s THE HORRIFIC EVIL MONSTERS, where I am playing Famine—one of the Four Horsemen of the Apocalypse.  

Like I do on a typical Saturday.

I worked with Steigert on FANG a few years back, so I knew I was in good hands with him and his crew.  That matters when you’re being asked to work in a remote, danger-laden location, wear a blindfold and fill your mouth with gulp after gulp of unappetizing liquid.

Yes, Adam’s version of Famine is a filthy, blind, drooling, skeletal mess in rags.  Makeup artist Phill Beith works magic and, in about an hour, turns me into the ghoulish creature and thus I remain for the rest of the day’s shoot.  It’s actually not as limiting as some character touches: I have the use of my dirty fingers whereas fellow Horseman Death and Conquest have such long fingernails, they need assistance more than I.

One scene also involved a prosthetic torso piece that was glued in place and then filled with gooey chunks to resemble my guts.  I cannot express just how lovely that was.

But it’s all in a day’s work on the set of many genre pictures—especially horror and sci-fi, where creatures often roam.  And THE HORRIFIC EVIL MONSTERS has a bounty of creatures.  Enough to make genre fans drool.

Normal drool.  Not black gunk. 


Learn more about THE HORRIFIC EVIL MONSTERS:
Facebook: 
https://www.facebook.com/TheHorrificEvilMonsters/
IMDB: 
https://www.imdb.com/title/tt7343800/


Monday, April 22, 2019

Be a Dog



I walk down the street with my dog, her tail wagging non-stop, and virtually everyone who passes us looks at her and smiles wide with delight.  It makes me smile with delight as well, to see their faces light up.  I have noticed this but not given it much thought.
 
Until now.

It occurred to me that we should all be so blessed to be like my dog: to effortlessly bring joy to everyone around us.  Can you imagine?  What if everyone we passed made us feel full of joy.  And we’d make them feel joy.  And we’d all feel joy at causing the joy in others.  It would be this exponentially evolving cycle of joy.

Can you imagine?

Now.  How to make it so?  How do we be like a dog?

I’d say it’s easy.  All it takes is a bright attitude and a matching smile.  Smiles are contagious.  Have you noticed?  If you smile, people almost always smile back.  It’s like magic.

So, the next time you leave the house, take a deep breath, exhale your cares and let a smile take over. If you spread a little sunshine, the world will be just that much brighter. For all of us.

And all our tails will be wagging.

Join me. 

Be a dog.